French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.  Related Paintings of Alfred Sisley :. | Kahn in der Uberschwemmung | Early Snow at Louveciennes | Kirche von Moret | Brucke im Bau | Platz in Argenteuil |
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Miles Evergood
Australian Painter, 1871-1939, was an Australian artist. Evergood was born Myer Blashki in Melbourne, eleventh child of Philip Blashki, jeweller, and his wife Anna, nee Imergud. He studied for a while at the national gallery school under Bernard Hall between 1893 and 1895. He exhibited at the Victorian Artists Society, and the Royal Art Society, Sydney, before leaving for the United States in 1898. He worked principally in New York, with frequent visits to Europe, for about 30 years, establishing a good reputation as a painter. He changed his name to Miles Evergood while in the United States. Evergood returned to Australia about the end of 1931 and worked for a year in Queensland and became a member of the Royal Queensland Art Society. He then went to Sydney and Melbourne holding exhibitions of his work, and died of cancer in Melbourne on 3 January 1939. Evergood was a capable artist, who mostly painted landscapes in oil with affinities to the post impressionists.
Henry Clarence Whaite
British artist, 1828-1912
Anton Domenico Gabbiani
1652-1726 Italian Anton Domenico Gabbiani Gallery Italian painter. He first trained with the Medici court portrait painter Giusto Suttermans and then with the painter Vincenzo Dandini. On 20 May 1673 he arrived in Rome, where he studied for three years under Ciro Ferri and Ercole Ferrata at the Accademia Fiorentina. He responded in particular to the paintings of Pietro da Cortona and Carlo Maratti who were both to be important influences on him. Though not precocious, Gabbiani became one of the most noted painters from the Accademia. After a period in Venice (1678-9) with the portrait painter Sebastiano Bombelli, he was in Florence in 1680. By 1684, the year in which he executed an Annunciation (destr.) for the Palazzo Pitti, he was an independent painter. His first important public commission, the St Francis de Sales in Glory (1685) for the church of SS Apostoli, Florence (in situ), shows the influence of Maratti in its grandiose composition and that of Dandini in the treatment of figures. In Prince Ferdinando de Medici Gabbiani found a particularly loyal patron, and he painted his portrait, Ferdinando de Medici and his Musicians (c. 1685; Florence, Pitti). One of the works executed for Ferdinando was possibly a portrait of his sister, which Chiarini has identified with the painting of Anna Maria Luisa de Medici (c. 1685; Florence, Pitti). Further works from this period are the group portrait of Three Musicians (Florence, Pitti) at Ferdinando court and a Group of Courtiers (1685-90; Florence, Uffizi).